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ENG 498: Senior Seminar: Postmodernism in C. Brooker's Black Mirror

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Beyond the technological dystopia: surveillance and activism in ‘Black Mirror’ and ‘Mr. Robot’

Index Comunicación. 2016;6(2):53-65

 

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Journal Title: Index Comunicación

ISSN: 2444-3239 (Print); 2174-1859 (Online)

Publisher: Universidad Rey Juan Carlos

Society/Institution: Universidad Rey Juan Carlos, Departamento de Comunicación I

LCC Subject Category: Language and Literature: Philology. Linguistics: Communication. Mass media

Country of publisher: Spain

Language of fulltext: Spanish; Castilian

Full-text formats available: PDF

Database: DOAJ

 

AUTHORS

Víctor Hernández-Santaolalla (Universidad de Sevilla)
Alberto Hermida (Universidad de Sevilla)

EDITORIAL INFORMATION

Double blind peer review

Editorial Board

Instructions for authors

Time From Submission to Publication: 8 weeks

 

Abstract | Full Text

The dangers of technological development have been the subject of many stories over the years, depicting dystopian societies in which the human being has been defeated by his own creation, either because the machines have rebelled against him/her or simply because citizens have been completely alienated and mesmerised by its possibilities. In this direction, this article analyses the representation of information and communications technology (ICT) in contemporary tv shows, by focusing on two of the most shocking titles that have impacted in both critics and the audience in recent years: Black Mirror (Channel 4, Charlie Brooker, 2011-) and Mr. Robot (USA Network, Sam Esmail, 2015-). These shows offer, a priori, two different visions of an alleged near future. However, far from the initial approach, a deeper analysis allows to discover that the forecast is not too promising and that, in any case, the benefit or the harm does not just lie in the technology itself, but in the use made of it.

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Black Mirror [Opinion]
Front cover image for Black Mirror [Opinion]
 
Summary:
  • Examines our future in the age of artificial intelligence and technology. For sheer pungency of dystopian imagination, it would be hard to beat Black Mirror, an anthology TV series in the style of The Twilight Zone — a different story with a different cast each week — originally produced by the BBC and subsequently continued on Netflix. The title refers to the variety of screens that have proliferated in our daily lives, and that all too-often seem to dominate them. The twelve episodes produced so far (a new season is in the works) present a consistently dark vision of our technological destinies, not in some galaxy far, far away, but right here, and soon.
Format:
Article
Publication year:
2017
 
|
Peer-reviewed
Source:
  • IEEE Technology and Society Magazine v36 n2 (201706): 35-87