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ENG 498: Senior Seminar: Tarot in Fiction

Ebook on Philosophy (also in Print)

Library Catalog - Saint Leo University - EBSCO

Dummett and the Game of Tarot.
Authors:
Penco, Carlo1 penco@unige.it
Source:
Teorema. 2013, Vol. 32 Issue 1, p141-155. 15p.
Document Type:
Article
Subjects:
DUMMETT, Michael, 1925-20111
TAROT
MAJOR arcana (Tarot)
MEANING (Philosophy)
CARD games -- History

Library Catalog - Libraries Worldwide

The game of Tarot : from Ferrara to Salt Lake City

Author: Michael Dummett; Sylvia Mann
Publisher: London : Duckworth, 1980.
Edition/Format:   Print book : EnglishView all editions and formats
Database: WorldCat

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Library Catalog - Print Book in the Collection

Tarot in Fiction as Exhibited in ? See MLA Database in EBSCO.

Calvino at a Crossroads: Il castello dei destini incrociati
Authors:
Schneider, Marilyn
Source:
PMLA: Publications of the Modern Language Association of America (PMLA) 1980 Jan; 95 (1): 73-90.  [Journal Detail]
Peer Reviewed:
Yes
ISSN:
0030-8129
General Subject Areas:
Subject Literature: Italian literature
Period: 1900-1999
Primary Subject Author: Calvino, Italo (1923-1985)
Primary Subject Work: Il castello dei destini incrociati; The Castle of Crossed Destinies
Genre: novel
Subject Terms:
intertextuality; treatment of death; relationship to tarot cards
Document Information:
Publication Type: journal article
Language of Publication: English
Update Code: 000002
Sequence Numbers: 0000-2-17073
Abstract:
In the two parallel stories that constitute Il castello, some suddenly mute travelers use tarot decks to communicate their horrific tales to one another. Ultimately, the ghostly kings, queens, knights, and other conventional or famous literary characters who inhabit these novellas delimit two 'voices' that frequently overlap and even coincide: the narrator-author's and the spectator-reader's. The violent chivalric world of war, love, and magic that generates the narrative action also produces a metanarrative dimension that asserts the text's subject as writing and reading, while simultaneously figuring Calvino's own writerly persona. The Number One tarot, Il Bagatto (The Minstrel), often images Faust in the fiction but more importantly images the writer, a (Marlovian) Faustian conjurer destined to fail. The ever-changing sequences of the cards allegorize the making of a fiction, while the deck itself allegorizes the plenitude of the finished text, unattainable by its author.
Accession Number:
0000440017
Notes:
Saint Leo University library subscribes to this title.