ENG 498 Professor Moon's Library Instruction (Dr. Marino_ Fall 2023): KTC

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This groundbreaking Anthology includes the work of 201 Latino writers from Chicano, Puerto Rican, Cuban-American, and Dominican-American traditions, as well as writing from other Spanish-speaking countries. Under the general editorship of award-winning cultural critic Ilan Stavans, The Norton Anthology of Latino Literature traces four centuries of writing, from letters to the Spanish crown by sixteenth-century conquistadors to the cutting-edge expressions of twenty-first-century cartoonistas and artists of reggaetón. In six chronological sections--Colonization, Annexation, Acculturation, Upheaval, Into the Mainstream, and Popular Traditions--the anthology encompasses diverse genres, and it features writers such as José Martí, William Carlos Williams, Julia Alvarez, Oscar Hijuelos, Cristina García, Piri Thomas, Esmeralda Santiago, and Junot Díaz. Thirteen years in the making, The Norton Anthology of Latino Literature sheds new light on "nuestra América" through a gathering of writing unprecedented in scope and vitality.

"Santos-Febres and 13 other contributors of Puerto Rican heritage take full advantage of San Juan’s wide range of disparities between rich and poor, weak and powerful, tourists and residents, in this fine addition to Akashic’s noir anthology series." --Publishers Weekly "A welcomed addition to the publisher's popular noir series, 'San Juan Noir’ has the distinction of being issued in two editions, English and Spanish, to more accurately reflect the Caribbean island's bilingual culture. Editor Santos-Febres gathers a varied collection of stories she expects will 'reveal a side of Puerto Rico otherwise obscured by the tourist trade and preconception.’” -- NBC News Latino "The stories within San Juan Noir stare right into the face of colonialism as they examine the gaps between the city's rich and its poor, its residents and its constant flow of tourists, its colorful exterior and its gritty underbelly. This is noir with a bite, noir that enthralls with its dark tales even as it challenges the reader--do better, do better, do better." --Literary Hub Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: Wilfredo J. Burgos Matos, Ernesto Qui#65533;onez, Mayra Santos-Febres, Jos#65533; Rabelo, Luis Negr#65533;n, Yolanda Arroyo Pizarro, Ana Mar#65533;a Fuster Lav#65533;n, Janette Becerra, Manolo N#65533;#65533;ez Negr#65533;n, Tere D#65533;vila, Edmaris Carazo, Alejandro #65533;lvarez Nieves, Charlie V#65533;zquez, and Manuel A. Mel#65533;ndez. Translated by Will Vanderhyden. From the introduction by Mayra Santos-Febres: "Puerto Rico is often portrayed as sandy beaches, casinos, luxury hotels, relaxation, and never-ending pleasure--a place that satisfies all senses and appetites. Yet the city of San Juan is much more than that. The capital of the Commonwealth of Puerto Rico is the oldest Spanish settlement in all the territories and colonies of the United States. Since Puerto Rico is economically dependent on the US, the financial downturn of 2008 hit us hard. Many Puerto Ricans have left the island, looking for a better life. Crime has risen and the black market has thrived. As in many crises, art, music, and literature have also flourished. Never before has there been so much literary production. We have responded to our crisis with many stories to tell. And, especially in these times, many of those stories are noir... I hope these stories spark your imagination, and reveal a side of Puerto Rico otherwise obscured by the tourist trade and preconceptions. Maybe it will also pique your curiosity, and you will come visit our 'pearl of the Caribbean.'"

One-third of the population of Puerto Rico moved to New York City during the mid-twentieth century. Since this massive migration, Puerto Rican literature and culture have grappled with an essential change in self-perception. Mainland Passage examines the history of that transformation, the political struggle over its representation, and the ways it has been imagined in Puerto Rico and in the work of Latina/o fiction writers. Ramón E. Soto-Crespo argues that the most significant consequence of this migration is the creation of a cultural and political borderland state. He intervenes in the Puerto Rico status debate to show that the two most discussed options--Puerto Rico's becoming either a fully federated state of the United States or an independent nation--represent false alternatives, and he forcefully reasons that Puerto Rico should be recognized as an anomalous political entity that does not conform to categories of political belonging. Investigating a fundamental shift in the way Puerto Rican writers, politicians, and scholars have imagined their cultural identity, Mainland Passage demonstrates that Puerto Rico's commonwealth status exemplifies a counterhegemonic logic and introduces a vital new approach to understanding Puerto Rican culture and history. "An extraordinarily effective and persuasive synthesis of political theory, historical exposition, and cultural analysis that does real justice to a topic of daunting complexity. Ramón Soto-Crespo's readings strike me as some of the best work being done now in US Latino literary criticism." --Ricardo L. Ortíz, Georgetown University "Mainland Passage is a provocative intervention into some of the most intractable problems in Puerto Rican studies." --The Americas

United in their fierce sense of place and infused with the fading echoes of a lost homeland, the stories in Jennine Capó Crucet's striking debut collection do for Miami what Edward P. Jones does for Washington, D.C., and what James Joyce did for Dublin: they expand our ideas and our expectations of the city by exposing its tough but vulnerable underbelly. Crucet's writing has been shaped by the people and landscapes of South Florida and by the stories of Cuba told by her parents and abuelos. Her own stories are informed by her experiences as a Cuban American woman living within and without her community, ready to leave and ready to return, "ready to mourn everything." Coming to us from the predominantly Hispanic working-class neighborhoods of Hialeah, the voices of this steamy section of Miami shout out to us from rowdy all-night funerals and kitchens full of plátanos and croquetas and lechón ribs, from domino tables and cigar factories, glitter-purple Buicks and handed-down Mom Rides, private homes of santeras and fights on front lawns. Calling to us from crowded expressways and canals underneath abandoned overpasses shading a city's secrets, these voices are the heart of Miami, and in this award-winning collection Jennine Capó Crucet makes them sing.

Una extraordinaria novela de iniciaci n sobre una mujer joven que encuentra su voz en el mundo ahora en una edici n en Espanol. / An extraordinary coming-of-age story of a young woman finding her voice in the world, now in a Spanish language edition. El oltimo dia de 1964, la quinceanera Ana Canci n se casa con Juan Ruiz, un hombre veinte anos mayor que ella, en el campo dominicano. Al dia siguiente se vuelve Ana Ruiz, una esposa confinada a un apartamento de un cuarto en Washington Heights. Juan la engana, abusa y controla, hasta le prohibe aprender ingles. Despues de un intento fallido de fuga, Ana se entera de que esta embarazada. Su madre y su esposo comparan su embarazo a ganar la loteria, su nina tendra ciudadania estadounidense. Juan vuelve a la Repoblica Dominicana cuando la guerra civil comienza, dejando a Cesar, su hermano, cuidando a Ana. Durante ese descanso del confinamiento ella se enamora genuinamente, lo cual despierta su voluntad de pelear por independizarse de su abusador y por su derecho de permanecer en su patria adoptiva. Un retrato atemporal de feminidad y ciudadania, que sigue vigente en esta epoca de migraci n forzada. On the last day of 1964, fifteen-year-old Ana Canci n marries Juan Ruiz, a man twice her age, in the Dominican countryside. The following day she becomes Ana Ruiz, a wife confined to a one-bedroom in Washington Heights. Juan is unfaithful, abusive, and controlling, he even forbids her from learning English. After a failed escape, Ana learns she is pregnant. Both her mother and husband compare her pregnancy to winning the lottery, her child will have American citizenship. Juan returns briefly to the Dominican Republic when the civil war begins, leaving Cesar, his brother, to care for Ana. During that respite from confinement she experiences true love, which awakens her will to fight for independence from her abuser and for the right to stay in her adopted homeland. A timeless portrait of womanhood and citizenship, which rings true in this era of forced migration.