Director of some of the most controversial films of the twentieth century, Stanley Kubrick created a reputation as a Hollywood outsider as well as a cinematic genius. His diverse yet relatively small oeuvre—he directed only thirteen films during a career that spanned more than four decades—covers a broad range of the themes that shaped his century and continues to shape the twenty-first: war and crime, gender relations and class conflict, racism, and the fate of individual agency in a world of increasing social surveillance and control.      In Depth of Field, leading screenwriters and scholars analyze Kubrick's films from a variety of perspectives. They examine such groundbreaking classics as Dr. Strangelove and 2001: A Space Odyssey and later films whose critical reputations are still in flux. Depth of Field ends with three viewpoints on Kubrick's final film, Eyes Wide Shut, placing it in the contexts of film history, the history and theory of psychoanalysis, and the sociology of sex and power. Probing Kubrick's whole body of work, Depth of Field is the first truly multidisciplinary study of one of the most innovative and controversial filmmakers of the twentieth century.

Studies the style and themes of the films of Stanley Kubrick. The second edition of Mario Falsetto's extensive analysis of Kubrick's films carefully examines the filmmaker's oeuvre in its entirety--from smaller, early films (The Killing) through mid-career masterpieces (Dr. Strangelove, 2001: A Space Odyssey; A Clockwork Orange), later films such as Full Metal Jacket, and his final work, 1999's Eyes Wide Shut. The author, offering close readings supported by precise shot descriptions, shows us how Kubrick's body of work represents a stylistically and thematically consistent cinematic vision, one that merges formal experimentation with great philosophical complexity. Falsetto explores many of Kubrick's often-used devices, including the long-take aesthetic, voice-overs, and moving camera, and discusses the thematic uses to which these techniques are applied. Finally, he presents the very first formal analysis of Eyes Wide Shut, the director's final, very much underrated masterwork.

This expanded edition of Thomas Nelson's trenchant study of a master of film includes new chapters on Full Metal Jacket and Eyes Wide Shut. In the wake of the director's death, Nelson reconsiders his body of work as a whole. By placing Kubrick in an historical and theoretical context, this study is a reliable guide into - and out of - Stanely Kubrick's cinematic maze.

The Wolf at the Door explores the remarkable formal and substantive patterns of cinematic discourse on Germany and the Holocaust in Stanley Kubrick's films. It is the first book on Kubrick to place his cinema into the full context of his life and times - his Jewish past, early years spent under the shadows of fascism and war, and his 1957 marriage into a German family of artists and filmmakers - all provoked his deeply ambivalent preoccupation with the history of Nazi Germany and the Holocaust. While personal and artistic reservations caused Kubrick to abandon several plans for a film on the Holocaust, this preoccupation combined with related cultural discourses in the 1970s, and culminated in a curiously indirect but compelling Holocaust subtext in his 1980 horror film, The Shining. The Wolf at the Door draws on intensive study of all of Kubrick's films, interviews with members of Kubrick's immediate family, and archival research in the United States, Germany, the Netherlands, Poland, and Israel.

In two volumes, this reference provides a survey that profiles more than 350 filmmakers from every branch of the industry, including independent films, French new wave, documentaries, Hollywood blockbusters, silent films, and more. Filmmakers have been chosen for the strength of their cinematic vision. Each entry features a biographical portrait of the filmmaker, including a glimpse of his or her early work and entry into the industry, followed by a discussion of key films and the major themes within them. A critical analysis places each filmmaker in the context of his or her culture and time. Filmmakers profiled include Woody Allen, Allison Anders, Ingmar Bergman, Bernado Bertolucci, Jane Campion, Francis Ford Coppola, Walt Disney, Nora Ephron, Milos Forman, Jean-Luc Godard, Werner Herzog, Norman Jewison, Akira Kurosawa, David Mamet, Martin Scorsese, John Singleton, Steven Spielberg, Francois Truffaut, Billy Wilder, and Franco Zeffirelli.

A fascinating guide to the faces behind the camera. Hailed for their personal and distinctive approaches to moviemaking

Best known as the author of imaginative short fiction, such as The Fall of the House of Usher and The Cask of Amontillado, and as the author of hauntingly sonorous poems such as The Raven, Edgar Allan Poe was a leading practitioner of the American Gothic and helped popularize the short story as a genre. This reference work assembles in dictionary format a complete and current body of information on Poe's life and work. More than 1900 entries cover all phases of Poe's art and literary criticism, his family relationships, his numerous travels and residences, and the abundance of critical responses to his works. Each entry provides bibliographical information, and the volume concludes with an extensive listing of works for further consideration. ]] Best known for his mysterious and imaginative short fiction, such as The Fall of the House of Usher and The Cask of Amontillado, as well as hauntingly sonorous poems such as The Raven, Edgar Allan Poe has secured a lasting place in the American literary canon. He was one of the first American authors to be given serious attention in Europe, and his works popularized the Gothic, the short story, and detective fiction in America. Poe's works are frequently studied in schools and colleges, but he also retains his appeal as one of America's most demanding popular authors. His works reflect his vast and sometimes arcane erudition, his probing insights into the workings of the mind, his theories of literature and aesthetics, and his interest in science and the supernatural. Through more than 1900 alphabetically arranged entries, this reference book provides complete and current coverage of Poe's life and work. Some entries treat Poe's known reading and his responses to literary contemporaries and international literary figures. Others comment on the impact of various writers and literary traditions on Poe's imagination. Still others address Poe's views on subjects ranging from Shakespeare to mesmerism to phrenology. Each entry is supplemented by a bibliographical note which gives the basis for the entry and suggests sources for further investigation. Each entry for Poe's fiction and poetry contains a critical synopsis, and an extensive bibliography at the end of the volume lists the most important critical and biographical studies of Poe.

Few authors can claim Edgar Allan Poe's influence on literary and popular culture. During his short and turbulent life, he invented the modern detective story and horror genres with such immortal works as The Raven, The Tell-Tale Heart, and The Pit and the Pendulum. Best known for the haunting melody of his poetry and prose, Poe also wrote numerous critical articles and reviews, essays and magazine articles on a variety of subjects.

The first years of human life are more important than we ever realized. In Scared Sick, Robin Karr-Morse connects psychology, neurobiology, endocrinology, immunology, and genetics to demonstrate how chronic fear in infancy and early childhood-- when we are most helpless--lies at the root of common diseases in adulthood. Compassionate and based on the latest research, Scared Sick will unveil a major public health crisis. Highlighting case studies and cutting-edge scientific findings, Karr- Morse shows how our innate fight-or-flight system can injure us if overworked in the early stages of life. Persistent stress can trigger diabetes, heart disease, obesity, depression, and addiction later on.